Serialize. That is my question.
1. I’m a Part-Time Writer
Full-time glass work commands a majority of my creative effort, on top of which comes family, friends, ministry obligations and Life’s usual responsibilities. I strive to write on a consistent basis. I’m part of a local critique group, a member of the Cape Cod Writer’s Center. I’ve got the obligatory notebooks in the car, in the workshop, on the bed stand to catch those random flashes, but fiction is more a pressure-relief valve than a job, and lately carving out time to get my head in a sci-fi space has been increasingly tough.
Serialization spreads out the obligation in manageable increments.
2. SHIFT TENSE isn’t complete yet
I know the second book is the hardest to write. People tell me I’m fussing with it too much. But the fact remains I’m still not happy with the novel’s end. I’m battering my head against the wall tying up the loose ends here. however, the first two thirds of the current manuscript are solid with all the major plot-lines firmly in place.
Serialization give me more time to work out in intelligent climax worthy of the story.
3. Serialization seems a better fit for e-books and the current spec-fiction market
See the earlier post on ‘Wool’ as an example. Serialized stories sell, hopefully build audience anticipation, and generally raise story/writer profile with frequent, compact, releases. With little additional expense/effort, I could release Shift Tense part 1 and 2 over the course of the next six months, release part 3 in the Fall, and have the full novel out at Christmas.
Serialization allows readers to sample the story and grants them the option to continue or cease with minimal cost.
4. Serialization kicks “Shift Tense” out of the house
I already feel like a schmuck, failing to keep my initial deadline. When I finished “Running Black” back in late 2010, I was positive my writing career would rocket into the stratosphere. (BRAAAAAAP! Wrong. Guess again, Pat.) Little did I know about the realities of self-pubbing, marketing, the writing process, juggling competing commitments, etc, etc. I still don’t know a whole lot but now I know more.
Serialization allows me to get the story out there to the readers who have been/are gracious enough to continue to buy my books.
Oddly enough, an early version of ‘Running Black’ was serialized in monthly chapters on Matakishi’s Tea House, a gaming hobby site run by an excellent fellow in the U.K. He formatted the text, added images, and generally made it look much better than it was. It wasn’t until a substantial chunk of it had spooled into the aether that I started hammering out the full-length novel. I have plot arcs and characters for several other novels in different genres clamoring from scraps of paper and Word docs, but I’ve been ignoring them, restrained – right or wrong – by the weight of obligation. I understand the brute reality of ‘work’ in art and creativity. This isn’t all bunnies, hugs and muffins, but I’d like to get back to the challenge and adventure of story telling – the joy of it – rather than treating my time at the keyboard as another chore, fencing with guilt because I missed a deadline.
In the end, if a serialization experiment fails, I can chalk it up to experience and move on. At the moment, the option is under serious consideration and I’m trying to figure out the logistics of such a move.
Any thoughts or experience here?
4 Replies to “To Serialize or not to…”
I say go for it. I think you are judging market trends correctly.
I second the motion! Sounds win-win. Lightens the load & moves things along at the same time.
The serialized method has worked in the past, but there are some indications those days are done. Reality of that? I have no idea.
Funny enough, I’m also struggling with the second book in my series, but I have the third done in relatively strong rough draft form. This is the result of edits in the first book that made a character arc gap between the plot lines.
I chose not to serialize, simply because I felt what I would end up with is simply a series of many shorter deadlines. Instead I am looking at publishing related short stories while working at the second tomb.
Also, I noted that the current wisdom suggests that one should work towards having three novels on sale at once before worrying about marketing etc.
So, I don’t know, but I do sympathize with your problem.
Thanks. Much appreciated.
I figure it might be worth floating Shift Tense as my test balloon. If it gets shot down, I can still offer it as a full novel. Lesson learned. This way, at least I can also clear out some of the accumulated creative debris for my newer stories.
I’ve contacted several artists regarding cover art. I’ll see how that play out, time/budget wise.