A game and a story walk into a blog…

A GAME

The manuscript for my latest tabletop war game, When Nightmares Come, is with the publisher now. *whew* Finally.

Seems Osprey Blue Books are shifting to a new format with a slightly longer page count. This is good for me because I pushed the envelope and wound up a thousand words over the line – and that was without any flavor bits or a Quick Reference Section. I’m trusting the editor to shoehorn everything in, along with the cool illustrations and a creepy, noir-ish reference map for linked missions/campaigns. “A game of occult investigation and supernatural warfare” is slated for release next March, so there’s plenty of time to get all the bits to fit. (probably involves a hammer)

Nightmares is designed for Solo/Cooperative gaming and it’s built on an established set of mechanics, so I’m confident it will run smooth. I think people who want a streamlined, modern monster hunt/narrative skirmish game will enjoy it. I’ll talk to my game group and see if we can’t get a few more games in the rotation.

A STORY

Sneaking through the Cordon for a third time, I’m coming to the end of another Exclusion Zone short story. This one’s about a sketchy Trader, (a smuggler) his schemes, and a hot tip on some artifacts. Proofreaders, a final round of editing, it should be at Amazon Kindle by the end of the month.

Someone in the Stalker7 Facebook group asked about a compilation. A fine idea but the first two stories are already in Fits and Orisons, so I’d need a Zone fourth story, exclusive to a new, focused collection, to give it value. I’m usually short on time, not ideas. But I guess I’ll add that to the ‘To Do’ list now…

ON THE RADAR

New mission packs for two of my games, dungeon crawl fiction, part 2 of Shattered Worlds, and another stand-alone war game. Busy, yes. But beats the opposite. The game will be Sci Fi, this time around. I haven’t decided yet if I’ll stick with Solo/Co-op or circle back to PvP. Either way, it’ll give folks an excuse to get their stray minis on the table and start forging cool stories and waging desperate battles against fearful odds. (for the ashes of their fathers and the temple of their gods…)

That’s it for now. Thanks for reading. Have an excellent day.

Consolidating Efforts?

War Game stuff.

That’s where I’ve been the last 2+ years; playing with toy soldiers.

Four tabletop rule sets, six supplements, numerous one-shots. Add to that the current slate of WIP: another stand-alone game for Osprey Wargames, two new five-part adventures, and a full-length second edition/variation of an existing game.

I run both weekly and monthly war game/RPG sessions these days, and now have a hobby-related FB Group with roughly 1.8K people from a dozen or so countries.

I’ve even managed to hammer out a novella at some point: Soul Cache. Which is included in the print collection of short stories, Fits and Orisons. Currently on my office computer is third Exclusion Zone short story, the first draft of a dungeon crawl novella, as well as the mountain of notes, drafts, and research for the four-part post-apocalyptic fantasy series , Shattered Worlds. (link to part 1, Broken Moon) And let’s not talk about all the other, previous projects languishing in digital limbo.

So yeah, I’ve doing word stuff the last three years. Just not here. *

By this point however, it’s glaringly obvious my war game/RPG work draws several orders of magnitude more attention than my fiction ever did. (oh well…) Which brings me to the question of merging HSSJ with Stalker7. Seems to me what I need is a central hub, a single site that highlights both my games and my stories. I need to not only work smarter, but respect the support I’ve received over the years by offering consistent content and engagement to anyone interested in either facet.

That said, in the coming weeks I’ll investigate the procedure, time, and expense required to merge the sites without losing connections and content. For now though, both HSSJ and S7 will stay as is. Updates as the situation develops.

Thank you. Have an excellent day.

  • there was a legal FUBAR in there too – a spurious shakedown for cash by a B-List SF writer and his gaggle of out-of-state lawyers over the use of the word ‘hardwired’. TL:DR – I got had, trapped on a technicality. I was reliably informed by attorneys that I would have won any case brought against me, but would have had to underwrite the time and expense of defending myself from 2/3rd of the way across the country. Cheaper to take the hit and pay them off. Live and learn. My brush-pass with the big time, I guess.

Thoughts and questions on AI-generated art

AI-generated illustration. ‘cyberpunk commando hacking a terminal in a corporate facility’

On Random. Coming from someone who spent nearly four decades in the trades, 25 years in custom glass work, and currently writes spec-fiction and indie war games.

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– Hasn’t technological innovation changed the face of labor and jobs for centuries in every field?

– Were there boycotts, social backlash, new laws introduced to curb the use of robotic assembly lines in automotive manufacturing in order to preserve the human workforce? (Answer: No – not in any meaningful way.)

– Why should artists and artisans be exempt? What about the countless thousands of other workers down throughout history in other fields whose jobs were changed or eliminated by machines?

– Do we shame/blame/restrict the one-man street busker using a Korg Volca Sample Playback Rhythm Machine for ‘denying revenue to fellow musicians’ ?

– At the risk of sounding rude – is much of the current push back really just Cultural Luddites whining now that the indifferent tide of progress has arrived at their door?

– Regarding cost: do artists and artisans have the right to demand, to enforce, the purchase of their products at higher prices when for many people, less expensive, machine-made goods suffice for their particular needs and are within their budget?

– Shouldn’t people be allowed to use, to purchase what they want? Doesn’t the final decision and ultimate responsibility rest in the hands of the consumer?

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Below are six examples of text-prompt, AI-generated art. I spent twenty bucks and a few hours of mucking around with the program.

When I did stained/leaded glass work, I occasionally had that potential client who would point out that they could purchase an entire leaded glass entryway at Home Depot for the same price as I was asking for custom panels. They were correct.

Of course it wasn’t an accurate comparison; mine was one-of-a-kind, custom design, colors, exact fit, etc. As opposed to an assembly line, limited selection, mass-produced product. But it was their home, their money, their budget, their decision.

These days, as a ‘Very Small Business’ i.e. a one-man outfit working out of a home office, I’m watching costs, trying to break even, and scrambling to pay bills like everyone else. I hire artists, editors, and graphic designers whenever and wherever I can. But also need time and money-saving tech.

When I already use GIMP, Canva, Shutterstock, and Word Editor to help my work, reduce costs, and make ends meet, why not use AI-art as well?

Is it unethical to do so? Am I somehow callous, disrespectful, sabotaging creatives, stealing income if I use the program for my work?

The Spring Slog

“April is the cruelest month…”

Wife and I finally got Covid. (Happy Easter, eh?)

I’m on the mend but it really took the wind out of my sails. After-effects are hanging on.

On a positive note, it looks like there’s another Osprey rule book in my future. So that’s cool.

Fiction-wise, I’ve got another Exclusion Zone short in the queue and Shattered Worlds Book 2, “Into the Scorned Lands’ is moving forward.

Slow and steady wins the race.

Stay well. Have an excellent week.