More Audio Book news

Narrator Madison Niederhauser has agreed to read ‘The Stones Remember’. His work on ‘Hard Kill’ was pitch perfect and I’m fortunate to have him do another of my short stories. Should be done end of September and I’m looking forward to it.

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In case you were wondering, here’s HARD KILL at Audible. The eBook at Amazon.

Thanks. Have a great day.

 

Four Audio Books Released

New Titles Now Available at Amazon/Audible and iTunes

If you’re new to audio books, click on the titles below for more information and to sign up for a free trial at Audible.  Or simply log in to your Amazon or iTunes account and give them a look. Four quick listens. Well written, -if I do say so myself  – excellently narrated, and all at a good price.

The near-future short ‘Sozo’, included in The Crossover Alliance 2015 annual anthology. Narrator Steven Floyd’s weary cynicism is pitch perfect.

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The Celtic-flavored ghost story ‘The Barrow Lover’ about two small time treasure hunters who dig up more than they bargained for.  Narrator Daniel Purcell went above and beyond telling Declan and Paddy’s story.

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‘Hard Kill’, the ’15-minutes in the future’ action piece about a spec-ops team racing to stop an attack in the American Heartland. Solid narration by Madison Neiderhauser.

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And ‘A Prayer to Saint Strelok’ – inspired by the Russian Sci Fi film ‘STALKER’ by Tarkovsky and the Ukrainian horror-survival video games of the same name.  Charles Cromer captures the mystery and terror of the Exclusion Zone.

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As always, I’d love to hear your thoughts on the stories and the narration. Or if you’re busy, leave a star rating. Every one helps.

Thank you again for your support and encouragement.

Take care and have an excellent day.

 

Audiobooks and the magic of story telling

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I’m told all the Cool Kids are into Audiobooks these days, so I’m taking my first steps in that direction. I’m happy to announce the short stories ‘Sozo’ and  “A Prayer to Saint Strelok’ are now available at Amazon’s Audible and iTunes/Books.

The first is a straight-razor of a story about a combat vet returning to a broken, near-future America. Remarkably, it was included in The Crossover Alliance’s 2nd annual anthology in  2015.  (I note that of the three TCA anthologies, that year is the only one without a single review. “Coincidence? I think NOT!”) Sorry guys.

OTOH, ‘Saint Strelok’ is a recent short piece inspired by the Ukrainian post-apocalyptic S.T.A.L.K.E.R.  video game series. Set in and around the Chernobyl Exclusion Zone, those games rank in my top 10 all-time favorites. They’re dark, brooding, terrifying, and wonderful. “Call of Pripyat” is the one you want. It’s the most accessible to the first-time stalker.

Back to audiobooks though… I have to say auditioning narrators and hearing my own stories read back to me was immensely sobering. ( I gotta keep at this. God help me.) But on a happier note, I was reminded  of how I used to read to my children – and now my grandchildren – and how there’s something truly wonderful about those hours that’s hard to express because the transaction of those moments goes beyond words.

Dr. Seuss to Tolkien, Kipling to Dahl, R.L. Stevenson, Lloyd Alexander, and a hundred more, reading out loud gets me thinking about the wonder of stories, the music of language, and what I think is a strange but essential osmosis of meaning.

Call me crazy, but I’ll go so far as to say that simple thing, more than any other everyday, ordinary practice in modern society, imparts not just parental/adult care and concern; it cultivates a sense of wonder and adventure. It feeds the imagination, exercises it. I think – depending on the stories- it’s how the core values of being a decent human being in the face of Life’s monsters and perilous journeys are transmitted to our kids.

Now some might label it frivolous but I say it’s a critical investment. Yes, STEM them chillun ’til they wins the Nobel Prize, but this is more than coding classes or the latest tablet/phone. This is heart, not mind, and I suspect this is probably one of the simplest but most profound investments a parent or guardian can make in a child. And all you need is a book. A library card. And an hour or two per week.

Now I’m not equating ‘St Strelok’ with Willy Wonka or Treasure Island. God no. I’m just letting folks know they can listen to two of my stories on their Kindle or phone or whatever device now. I think the narrators did an excellent job and I hope you will too. Please give them a listen or recommend them to a friend who likes my kind of stuff. Fire off a review if you can. It’s nice to get feedback.

Hard Kill‘ is next. My Celtic-flavored ghost story ‘The Barrow Lover’ should be available by September. I’ll let you know for sure when they’re ready.

Thanks for reading. Have a great day.

Note to self: find that hard cover copy of Grimm’s Fairy Tales illustrated by Arthur Rackham.

*** Other Links

Click to see those two stories at AMAZON.

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SOZO                                           ST. STRELOK

A short book review

Of Dan Abnett’s The Magos

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I know the cover looks cheesy. I know game-verse fiction is often (rightly) dismissed as little better than fan-gush, but if you’ve never read Dan Abnett, I think you’re missing out on some truly good Sci Fi.

It was the Eisenhorn trilogy that did it for me. I’d never heard of Mr. Abnett before. Apparently he writes comics. Cool, but not really my cuppa. But as an avid table top wargamer and spec-fiction reader, the books appeared on my radar screen and I took a chance on the first one. Then I bought the second. And had to get the third.

I was hooked.

Yes, it helps to be familiar with the Warhammer 40,000’s grim, Gothic setting, but it’s not necessary. Abnett’s Inquisitor novels are ‘domestic’ 40K; all about conspiracies, cults and covert operations. The ‘total war in the grim darkness of the far future’ is an ever-present backdrop, sure, but they have more in common with police procedurals and Gothic mystery thrillers than grand-scale military Sci Fi. Interesting characters, twisted plots, good pace, depth, solid, efficient prose, I kept flipping to the back cover picture asking ‘Who is this guy?”

An incredibly talented and prolific writer, apparently.

Mr. Abnett is now on my very short list of writer’s I’ll pre-order. (William Gibson and Steven Pressfield are the other two)

The Magos is a collection of short stories packed in with a new Eisenhorn novel. Some of the shorts appear in the Eisenhorn Omnibus and other Inquisitor novels, but several are brand spanking new. Plus there’s a novel at the back of the book.

I’m not a spoilers/book report kind of reviewer, so I’ll spare the synopsis, but if the previous Inquisitor books caught your attention, you’ll want to add The Magos to your Summer reading list. Enjoy.

You can get a copy (hopefully) at your local book store, or Here at Amazon

Have a good day.

My lodestars for drafting

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Second editing pass though my next novel, I’ve got a new Post-It on the bottom of my monitor: three  points to steer by as I hack, slash, and burn my way through the undergrowth.

1. Err on the side of the reader’s intelligence.

Aside from the fact my latest isn’t a YA novel, I’m writing to a capable, nuanced audience who, while new to my particular story, is familiar with the genre as well as Life’s genuine struggles and victories. I will not talk to them like they’re pets or three-year olds.

2. Don’t BS the reader.

See above. The reader has been gracious and given me of their time and money. I don’t want either to be a waste. Of course the story has themes and the author has opinions and values, but the reader can smell an agenda a mile off. There may be types or tropes that function as fiction shorthand, but they cannot devolve into cliches that cheapen or interrupt the story.

3. Less is more.

There’s a fine line (and a yawing chasm) between poetic and verbose. This is the ‘right word versus almost the right word’ dilemma. I will not fall in love with my prose and will cut what doesn’t best serve the scene, regardless of how clever the turn of phrase. I’m not padding my word count. Make it lean and precise, not bloated or boggy.  Remember the Failure Mode of ‘Clever’ is ‘Asshole’.

***

Time to hone the machete, top off the flamethrower, and get back to work.

Have an excellent day.

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Zombie Six Release and Notes

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In the 22nd century, the ethnic Uyghur in Western China still dream of independence. Decades of discrimination, surveillance, and repressive policies by the Chinese government have only strengthened their resolve. Frustrated with the separatists , the Beijing enacts a final solution: the forcible deportation of all dissidents to Mèng Tiān, a desolate mining colony in the Kepler system, five hundred light years from Earth.

When the relocation program backfires and a full-scale insurgency erupts, the elite operators of Zombie Six arrive as part of the U.N.E. Peacekeeper force. Ordered to kill or capture the Uyghur leadership, the team finds itself in a deadly crossfire of corruption, deceit, and drone-borne IEDs. To survive, Zombie Six must first remember Truth is still the first casualty of war.

“Enemy of my Enemy” is a stand-alone novella from the author of the Eshu International novels, the ongoing Clar1ty Wars cyberpunk series, and other spec-fiction works.

***

Enemy of my Enemy –  A Zombie Six Mission is now available at Amazon, both in print and for Kindle.  I wanted to take a moment to let folks know and thank everyone for their support, both online and in the real world. That anyone takes the time to read my stuff still amazes me. So… a few words about how ‘Enemy of my Enemy’ came about:

There’s always that initial something that pushes a story into motion. A spark that gets the creative gears turning or a seed that takes root and grows. Enemy of my Enemy was born out of a hard kernel of news concerning the Chinese Government’s treatment of the ethnic Uyghur in their western provinces. It didn’t show up on my radar all at once, mind you. It was more jigsaw puzzle pieces, assembling over  a year or so to form a genuinely disturbing image of relentless, hi-tech coercion, forcible assimilation, and repressive policies.

My eldest son was the first to bring the situation to my attention, and to be honest, I filed it under a Communist administration’s usual rigid treatment of dissidents.  Remember, these are the same folks who brought us the crackdown of the Tiananmen Square protests back in 1989.

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It wasn’t until I read This article. This one. And this one. that I began to grasp just how pervasive, insidious, and invasive the PRC efforts were.  The more I thought about it, the less I was able to sleep.

Yes, I added elite spec-ops, gun drones, firefights, and a high body count on top of it all to make a typical Mil SF action story, but the foundation is a picture of real-world authoritarianism made frighteningly more wicked and effective by advanced technology. This part, tragically, is not made up.

‘Enemy of my Enemy’ is a spec-fiction action piece set in the next century, but perhaps, in some small way, the mention of this real life, present situation can do a little to raise awareness – not only of the Uyghur’s treatment, but of the rise of ubiquitous, invasive monitoring and surveillance, and the corresponding erosion of human rights and dignity.

Because if history is anything to go by, this trend and this technology will only grow and spread. We need to be vigilant and proactive against it in every form.

If you want to do more, take a look at Human Rights Watch. They deal with these kinds of issues and have an excellent rating at Charity Navigator. In fact, I plan on donating a portion of the first 6 months of ‘EomE’ sales to them.

So buy the book. Tell a friend. Or donate direct.

Art hard and have a great day.

Making it easy on Beta Readers

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I’ve always understood ‘Beta Readers’ to be those long suffering friends and family of writers who are willing – after putting up with the author while they were writing the novel – to then read it, in its entirety, for internal consistency.  They’re not copy editors or grammar nazis scrutinizing for typos and errant semicolons. No, they’re weighing the substance of the story. Plot flow, character motivations and story logic. They might trip over the occasional repeated phrase, but did it work? Allowing for conventions of genre and personal taste, is this a story worth reading?

To that end, I was trying to come up with a one-page hand out to Betas. I want an easy code for them to mark if/when/why the spell was broken. Jot a number or letter in the margin near the offending passages and move on. Here’s where I’m at so far:

  1. So what? (or Do you care?) Are the characters engaging? Is the drama worthy of conflict? Did you stop caring?
  2. Oh Yeah? (or Is this credible?) Is the tech/magic/psi power ‘logical’ in the story world? Are the characters actions and words believable?
  3. Hunh? (or What the hell just happened?) I’m confused.. ‘Two pages ago we were traveling east and now the Sun is setting right in front of them.’ or ‘I thought she had a gun. Why isn’t she shooting at them?’ stuff like that.
  4. Can we go now? (or I just read a bunch of words and nothing happened) Sure there’s ambiance and milieu, but I define ‘fiction traction’ as ‘plot over word count’. No Value Change, no forward motion, and the prose gets boggy.

Add in a big red “R” for REDUNDANCY – ( “*Sheesh* You said his name 37 times in two pages.”) and a big red “C” for CLICHE – (‘She was as dead as a door nail’ Really?)

One of Neil Gaiman’s Rules for Writing is that when a reader says something doesn’t work, they’re almost always right but when they tell you how to fix it, they’re almost always wrong.  I think those 6 notations will let a writer – me, in this case – know where the story falters without putting too much of a burden on already gracious and patient people.

Any thoughts on this? Weigh in.

Have a good day.