Settling into the reins

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Happy 2019.  Hope you’re recovered from the holidays and settled into the reins of a new year.

On the fiction front, Beneath the Broken Moon is currently under the editor’s knife at Shawn Coyne’s Story Grid. My previous experience with an Editorial Service was, to put it politely, disappointing. (I don’t appreciate being viewed as an ATM, strung along with vague promises of actual helpful suggestions for my MS if only I purchased the next tier of services… )

Now I don’t know a thing about Rachelle Stewart Ramirez , but Shawn Coyne’s, Story Grid is on my very shortlist of genuinely helpful books about writing, so he’s got street cred with me. That, and the fact he’s Steven Pressfield’s editor and business partner. If you’ve never read The War of Art or Gates of Fire, you need to remedy that. Right now.

According to the website, the manuscript evaluation includes:

  1. The 6 Core Question Analysis. Your Story Grid Certified Editor will read your manuscript and apply the Story Grid 6 Core Question Analysis to your work. This is a deep dive into your manuscript, analyzing what works and what doesn’t work.
  2. A One-Hour Phone Consultation. You will talk one-on-one with your editor, discussing your own questions and the editor’s analysis of your story. You’ll leave the call with a clearer global, big-picture view of your manuscript and its genre.
  3. A Story Grid Spreadsheet of Your First Five Scenes. Your Story Grid Certified Editor will provide a full Story Grid work-up of the first five scenes of your manuscript. This will give you a black-and-white, close-up view of which scenes are working and which aren’t—and why.
  4. Next Steps Recommendation Letter. Every writer is at a different place in his or her journey. Your Story Grid Certified Editor will provide suggested next steps you can take to level-up as a writer. This will include specific Story Grid homework to help improve your skills and your manuscript.
  5. Masterworks of the Genre Recommendations and Additional Resources. Throughout the Story Grid Diagnostic process, your editor will help you identify and refine your genre choice. Once that’s done, your editor will provide a list of Masterworks to study along with the Story Grid Genre Cheat Sheet for your genre.

All delivered within 30 days.

Nothing so far. Then again, it’s only been two weeks and I remain cautiously optimistic. After all, I need a good editor. I want a good editor. Learning what works and what doesn’t is critical to learning how to write better. More on that as the story develops.

In other writing news, ZONA ALFA is complete. For those who aren’t familiar, I’m a long-time table top war gamer and ZA is a set of rules for miniature wargaming in a Russian-flavored post apocalyptic setting. (Think STALKER and METRO 2033)

Turns out the fine folks at Osprey Publishing in the UK had seen my painted toy soldiers and battle reports at my S7 blog, and were crazy enough to ask me to develop the rules for them. There’s still a lot of Polish and Tweak to do, but this has been a wargaming nerd’s dream come true. My heartfelt thanks to them for the opportunity.

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ZA interior art and possible cover. Cool, eh?

In line with that, I’m currently hammering out another short Tale from the Exclusion Zone featuring veteran Zone Guide, Yuri Bonyev. (Vodka, AK74s and mutants… what can go wrong?)

And when that’s done, I’ll start in on the next installment of The Clar1ty Wars.  Been a long time coming but I assure you the shadow war between the Orbital Corporations and the Planetary Government is about to spill into the streets. The current working title for book 3 is Gun Monkey Rumble. Autonomous drones, genetically engineered agents, cyber-enhanced soldiers, criminal gangs, religious terrorists…  Our hero, black market pharma fence, Seeb Gilani, is going to have her hands full of flaming vials of nitro glycerin.

That’s all for now. My other job (stained glass work) calls. Have an excellent day. Live well. Art hard.

– patrick t.

 

 

End of the Year Tally

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Closing out the year, I want to say ‘Thank you’ to everyone who took the time to buy/listen to one of my stories. Writing is a solitary endeavor, spent mostly in my own head with imaginary friends and enemies in made-up places, so your support and encouragement mean far more than I can ever fully express. I am grateful and humbled.

2018

I’m not ashamed to admit last year writing-wise was a slog. Felt like it was all uphill. In the rain. At night. I did manage to put out the Mil-SF novella ‘Enemy of my Enemy‘ . I certainly hope you enjoyed it.

Beyond that though, the lion’s share of the year’s writing sessions were spent battering  away at ‘Beneath the Broken Moon’, the first book of my post-apocalyptic fantasy duology. And it was ‘battering’, believe me. What I thought would be simple, dark fantasy piece turned into a major excavation of a broken universe. It was work. Every. Single. Time. And ‘Broken Moon’ is only the first half of the story!

There’s more blisters and sweat and frustration ahead, but it’s going to be worth it; I honestly believe Addas’ quest through the shattered worlds is some of my best work so far.

On another positive note, I was contracted to create a set of table top war game rules for Osprey Publishing in the U.K. I could call it ‘scale model tactical simulation’ but it’s really playing with toy soldiers, albeit in a slightly more sophisticated way than Greens and Tans in a sandbox. Military miniature war gaming has been a passion of mine for over 40 years and I’m excited to contribute something back to such a great hobby.

I’ll still need to shave and tweak, probably re-format some sections for clarity, but ZONA ALFA (working title) is done. Release is still a ways off and Osprey has a great team of artists and editors working to polish it to a high shine.  I’m very fortunate to have been given this opportunity and look forward to seeing the final product.

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2019

As of right now, I plan to re-focus on my first love: cyberpunk. The Clar1ty Wars series (1 and 2)  needs its next installment, (current title “Gun Monkey Rumble“) and there’s a stand-alone novella about a disgraced Spec-Ops Combat Medic that’s been simmering on the back burner for a while. (“Exit Wounds”)

I’ve been seeking agent representation for ‘Broken Moon’, hoping to release it through more traditional channels. Might not happen, who knows, but there’s the possibility I’ll have to re-visit Addas in the Shattered Worlds sooner than I anticipate.

Regardless, the stories keep coming so I keep writing. Thank you all. I wish everyone of you a happy, healthy new year.

Take care and art hard.

Patrick Todoroff

Cape Cod, MA.

PS… End-of-the- Year request: if you’ve read one, some, or any of my work, and haven’t had the chance to leave a review, I would hugely appreciate a few quick  – and honest – lines at Amazon and/or Goodreads. Doesn’t need to be a book report, a couple sentences are great. Every one means a lot and is a tremendous help. Click on the link below if you need.

Books at Amazon

And if you already have left a review, you have my eternal gratitude.

 

More Audio Book news

Narrator Madison Niederhauser has agreed to read ‘The Stones Remember’. His work on ‘Hard Kill’ was pitch perfect and I’m fortunate to have him do another of my short stories. Should be done end of September and I’m looking forward to it.

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In case you were wondering, here’s HARD KILL at Audible. The eBook at Amazon.

Thanks. Have a great day.

 

Four Audio Books Released

New Titles Now Available at Amazon/Audible and iTunes

If you’re new to audio books, click on the titles below for more information and to sign up for a free trial at Audible.  Or simply log in to your Amazon or iTunes account and give them a look. Four quick listens. Well written, -if I do say so myself  – excellently narrated, and all at a good price.

The near-future short ‘Sozo’, included in The Crossover Alliance 2015 annual anthology. Narrator Steven Floyd’s weary cynicism is pitch perfect.

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The Celtic-flavored ghost story ‘The Barrow Lover’ about two small time treasure hunters who dig up more than they bargained for.  Narrator Daniel Purcell went above and beyond telling Declan and Paddy’s story.

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‘Hard Kill’, the ’15-minutes in the future’ action piece about a spec-ops team racing to stop an attack in the American Heartland. Solid narration by Madison Neiderhauser.

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And ‘A Prayer to Saint Strelok’ – inspired by the Russian Sci Fi film ‘STALKER’ by Tarkovsky and the Ukrainian horror-survival video games of the same name.  Charles Cromer captures the mystery and terror of the Exclusion Zone.

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As always, I’d love to hear your thoughts on the stories and the narration. Or if you’re busy, leave a star rating. Every one helps.

Thank you again for your support and encouragement.

Take care and have an excellent day.

 

Audiobooks and the magic of story telling

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I’m told all the Cool Kids are into Audiobooks these days, so I’m taking my first steps in that direction. I’m happy to announce the short stories ‘Sozo’ and  “A Prayer to Saint Strelok’ are now available at Amazon’s Audible and iTunes/Books.

The first is a straight-razor of a story about a combat vet returning to a broken, near-future America. Remarkably, it was included in The Crossover Alliance’s 2nd annual anthology in  2015.  (I note that of the three TCA anthologies, that year is the only one without a single review. “Coincidence? I think NOT!”) Sorry guys.

OTOH, ‘Saint Strelok’ is a recent short piece inspired by the Ukrainian post-apocalyptic S.T.A.L.K.E.R.  video game series. Set in and around the Chernobyl Exclusion Zone, those games rank in my top 10 all-time favorites. They’re dark, brooding, terrifying, and wonderful. “Call of Pripyat” is the one you want. It’s the most accessible to the first-time stalker.

Back to audiobooks though… I have to say auditioning narrators and hearing my own stories read back to me was immensely sobering. ( I gotta keep at this. God help me.) But on a happier note, I was reminded  of how I used to read to my children – and now my grandchildren – and how there’s something truly wonderful about those hours that’s hard to express because the transaction of those moments goes beyond words.

Dr. Seuss to Tolkien, Kipling to Dahl, R.L. Stevenson, Lloyd Alexander, and a hundred more, reading out loud gets me thinking about the wonder of stories, the music of language, and what I think is a strange but essential osmosis of meaning.

Call me crazy, but I’ll go so far as to say that simple thing, more than any other everyday, ordinary practice in modern society, imparts not just parental/adult care and concern; it cultivates a sense of wonder and adventure. It feeds the imagination, exercises it. I think – depending on the stories- it’s how the core values of being a decent human being in the face of Life’s monsters and perilous journeys are transmitted to our kids.

Now some might label it frivolous but I say it’s a critical investment. Yes, STEM them chillun ’til they wins the Nobel Prize, but this is more than coding classes or the latest tablet/phone. This is heart, not mind, and I suspect this is probably one of the simplest but most profound investments a parent or guardian can make in a child. And all you need is a book. A library card. And an hour or two per week.

Now I’m not equating ‘St Strelok’ with Willy Wonka or Treasure Island. God no. I’m just letting folks know they can listen to two of my stories on their Kindle or phone or whatever device now. I think the narrators did an excellent job and I hope you will too. Please give them a listen or recommend them to a friend who likes my kind of stuff. Fire off a review if you can. It’s nice to get feedback.

Hard Kill‘ is next. My Celtic-flavored ghost story ‘The Barrow Lover’ should be available by September. I’ll let you know for sure when they’re ready.

Thanks for reading. Have a great day.

Note to self: find that hard cover copy of Grimm’s Fairy Tales illustrated by Arthur Rackham.

*** Other Links

Click to see those two stories at AMAZON.

Sozo (Original Cover)    possible cover2

SOZO                                           ST. STRELOK

My lodestars for drafting

calvin-writing

 

Second editing pass though my next novel, I’ve got a new Post-It on the bottom of my monitor: three  points to steer by as I hack, slash, and burn my way through the undergrowth.

1. Err on the side of the reader’s intelligence.

Aside from the fact my latest isn’t a YA novel, I’m writing to a capable, nuanced audience who, while new to my particular story, is familiar with the genre as well as Life’s genuine struggles and victories. I will not talk to them like they’re pets or three-year olds.

2. Don’t BS the reader.

See above. The reader has been gracious and given me of their time and money. I don’t want either to be a waste. Of course the story has themes and the author has opinions and values, but the reader can smell an agenda a mile off. There may be types or tropes that function as fiction shorthand, but they cannot devolve into cliches that cheapen or interrupt the story.

3. Less is more.

There’s a fine line (and a yawing chasm) between poetic and verbose. This is the ‘right word versus almost the right word’ dilemma. I will not fall in love with my prose and will cut what doesn’t best serve the scene, regardless of how clever the turn of phrase. I’m not padding my word count. Make it lean and precise, not bloated or boggy.  Remember the Failure Mode of ‘Clever’ is ‘Asshole’.

***

Time to hone the machete, top off the flamethrower, and get back to work.

Have an excellent day.

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