Laying out my writing schedule for rest of this year, it’s past time to turn my attention back to the fantasy post-apocalypse of the Shattered Worlds. (think Middle Earth meets the The Road and you’re in the right neighborhood)
Part One, Beneath the Broken Moon, introduced Addas Dashag, the half-breed scavenger thrown into a damaged landscape in search of a dubious refuge. Next up is Into the Scorned Lands as the misfit company continues on their quest through a world more broken and dangerous than they’d imagined.
Scorned Lands will be released separately for Kindle as well as packaged with part one in print. (see the cover art above) Providing the river don’t rise, the cattle don’t spook, and hell don’t freeze over, both will be done and out before the year’s end.
With the release of the Soul Cache for audio, (as well as for Kindle and in print) I figured it was time to mention the other stories of mine that are available at Audible.
Tales from the Exclusion Zone
For those of you familiar with the STALKER setting – the book Roadside Picnic, the Tarkovsky film of the same name, and the Chernobyl-centered computer games – there are two short stories set in the mysterious Exclusion Zone: A Prayer to St. Strelok, and Strange Treasure. If you’re in need of a quick vacation from the real world, you can tag along with Zone Guide, Yuri Bonyev into the most heavily quarantined place on the planet.
NEAR-FUTURE MILITARY SCI-FI
If you’re more in the mood for some ‘15 minutes in the future‘ military action, there’s Hard Kill, The Stones Remember, and Sozo. Covert operations, Russian invasions, and veterans facing down traffickers, it’s all here.
A CELTIC-FLAVORED GHOST STORY
For lighter fare, The Barrow Lover is the story of two friends mucking about with buried treasure, a royal murder, and one angry ghost. Nice way to lean into the upcoming St. Patrick’s Day – if you’re so inclined.
All of them run a couple hours or less, and with a fine job by all the narrators, any one of them would be an easy way to take the grind out of some drudge work or liven up your daily commute.
That’s it for now. Thanks and have an excellent day.
“A rich and meticulously described setting makes for an undeniably immersive reading experience. Two (augmented) thumbs up.” – Kirkus Review
I paid a lot for those two sentences. I mean, there’s more to the review but that’s the blurb-able bit.
Yes, Kirkus reviews cost money. No, that’s not a guarantee of a good review.
So why spend the cash and wait 2 months? Because after ten years, three novels, four novellas, and five short stories I finally felt like I’d written something worth submitting, worth dropping the coin on.
That’s not to say I consider Soul Cache to be flawless or a short-form superlative example of the genre. Or even that Kirkus – respected as they are – is the definitive appraisal of my writing skill. I just remember finishing the story, after a much longer and more difficult process than I expected, and hearing in the back of my mind: ‘Here is something that could stand in the public market. Can hold its own. It’s actually pretty good.’
Meaning that it struck me I’d created something worthy of professional assessment and I wanted to hear that assessment bad enough to drop the money for a 321-word review.
Money well spent? Will this translate into sales and agents and movie options? Who knows? That’s another thing that is definitely not guaranteed. By life, the writer gods, or Kirkus.
Dumb, vanity move? Did I experience a surge of inspiration and creative confidence as I turn toward my next fiction project? Mmmmmm, not really. Honestly, I read it. breathed a sigh of relief that it wasn’t horrible, and thought, Well… Time to get back to work, I guess.
Which is what it all comes down to, emotionally exhilarated or not; putting my ass in the chair and chiseling away at the next story, trusting that by forging ahead and doing the work, the next one will be a little better.
Maybe even good enough to warrant another Kirkus Review.
That’s all for now. Thanks for stopping by. Have an excellent day.
If you’re interested, you can read the full review HERE
Soul Cache. A story from the streets of New Kowloon is available electronically for Kindle at Amazon HERE. Or in print as part of a collection of short stories, HERE.
Kicking off 2022 with the release of Fits and Orisons, a collection of five of my short stories. Previously only available for Kindle, this puts The Stones Remember, Sozo, A Prayerto St. Strelok, Strange Treasure, and the recent, Soul Cache in print. Quick reads all, if you like your mil-sci-fi with a dose of strange, this might scratch that itch. Click HERE for your copy.
I’m also pleased to say the Soul Cache audio book will be available in February. So there’s that too.
Thank you all for your support, particularly these last two years. Here’s to a happy, healthy 2022 filled with good friends, inspired projects, and met deadlines.
I’m pleased to announce Soul Cache is now available for Kindle. A crime thriller novella set in future fictional New Kowloon, Detective Zeki Pemburu hunts a serial killer, his only leads the victims’ last moments illegally obtained from their neural chips. If you’re feeling a little technoir, this should scratch that itch. I’m also working on adding it to my catalog of Audiobooks. Watch for that announcement early next year.
For those of us who prefer print books, Soul Cache will be included in the upcoming collection, Fits and Orisons.
Once that is complete, I’ll be returning to the post-apocalyptic fantasy series, Shattered Worlds. Book One, Beneath the Broken Moon is available on Kindle and will also appear in print late in 2022.
Thank you for stopping by. Merry Christmas and Happy Holidays.
Feels like I was slogging through a fog, haunted by constant, low-grade anxiety from all the Huge, Bad Stuff happening around me. Sorta like seeing kaiju fighting in the distance everywhere I looked, knowing it was devastating and tragic no matter the outcome, and wondering what the hell I was gonna do if they stomped their way closer to my little house.
With 2021 drawing to a close, I have no reason to complain; I mean, I’m still alive, healthy, married. My family is good. I still have friends. Still chipping away at the To Do list, albeit in a slower, different way. And while I’m unconvinced we’re out of the Weird Woods yet, I have plenty to be grateful for.
On the writing front, I finally finished another piece. “Soul Cache” is a cyberpunk, technoir, crime thriller. A short novella at 25K words/75 pages, it centers on an aging homicide detective hunting a serial killer in grimy, crowded mega-city. His only clues are the victims’ last moments, data he obtained by illegally hacking their neural chips. (it’s all fun and games until someone suffers Dissociative Identity Disorder. or gets brutally dismembered)
It’s slated for release 17 December and up for pre-order now at Amazon. Click HERE if you need a digital stocking stuffer this Christmas.
It will also be part of a print collection of short stories coming out early 2022. (for those who prefer holding a physical book.)
Tabletop gaming has been taking the lion’s share of my creative attention. Echoing Willie Sutton, the audience response to my games is, well, a helluva lot more than my fiction, so… yeah.
Adding to the Exploit Zero and Nightwatch family of wargames is Insurgent Earth, a tabletop tactical miniature adventure game where players fight against alien invaders. Designed with Solo and Cooperative play in mind, you and your friends will band together, form a resistance cell, gear up and take back our home planet.
Even though the core dice mechanics are well established, our game group is running extensive play tests to smooth out the additional, RPG-lite elements for the player characters, and the command-and-control of the game-driven alien invaders. Everything needs to be as smooth, solid, and simple as possible; hate it when rules get in the way of an enjoyable game. Insurgent Earth should be out mid-2022.
In the meantime, you can drop by Stalker7.com for battle reports and other cool toy soldier stuff.
OTHER THAN THAT
The foreseeable future comes down to getting through Christmas and New Years celebrations. My kids and grand kids should be here Christmas morning, so I thank God for that.
Oh and The Witcher Season 2. That’s cool too.
In the meantime, I’m going to keep my head down, keep praying for God’s peace, paint some toy soldiers, and start pecking away at book two of the Shattered Worlds series, Scorned Lands.
Got a newsletter recently from one of the Indie Writer groups I lurk around, asking if/how the Covid-19 lock down affected my writing. Have to say ‘Quite a bit” if I’m being honest.
It’s not just the Covid-19 though. That was tough. Weird. But do-able.
Nope. In short order, global pandemic was at the bottom of a pig pile of deaths, crises in leadership, international strife, economic uncertainly, racism, political and social animosity, demonstrations, looting*… and then I got sick and spent a month in an out of the hospital.
It felt like I was breathing smog. Gasping, every time I sat down at the computer. It was hard to think straight, let alone relax and get creative. “Flow Space, anyone?“
I pushed on. No props to me, really. It was some combination of prayer, grace, and mule-headed desperation. Had to keep busy with something and I didn’t have the energy for anything new, so I stuck with the familiar.
Felt like I was clawing at granite with my fingernails but things got done.
While we’re getting post-apocalyptic, I should mention my writing for the table top wargame hobby is still going strong. Zona Alfa has been available since late January, courtesy of Osprey Publishing. (Thanks, guys) The S7 Facebook Group is approaching 800 members and is filled with some very cool, creative, and inspiring war game comrades. I’m quite grateful.
It’s not limited to a Soviet-style apocalypse either. Gamers from all sorts of interesting places also seem to enjoy my solo/cooperative cyberpunk skirmish game, Hardwired, and the expansion, Tsim Sha Tsui Expansion.
I was encouraged enough by the support to build on the same game mechanics to hammer out a set of Fantasy-genre, monster hunting rules. Titled, Nightwatch: Terror and Treasure in the Dark Corners of the World, it’s nearing completion and should (God willing) be out in August, 2020.
It’s been a slog, I have to admit. I feel like I’ve been tunneling out of a POW Camp with a soup spoon; cramped, sweating, panting in the dark, measuring progress inches at a time. Not quite the artist’s life I imagined, buoyed by a supportive community of like-minded creatives and a brisk, tail wind of the Spirit.
Still, stuff got done. There’s more stuff to do. Forward motion – even in inches – is still progress. We’re all going though it, getting through it. That’s the season we’re in. It’ll turn. Until then, we persevere and keep doing the next right thing.
Dissonance is produced by any landscape that enchants in the present but has been a site of violence in the past. But to read such a place only for its dark histories is to disallow its possibilities for future life, to deny reparation or hope – and this is another kind of oppression. If there is a way of seeing such landscapes, it might be thought of as ‘occulting’: the nautical term for a light that flashes on and off, and in which the periods of illumination are longer than the periods of darkness.
That’s all for now. I hope and pray you are all safe and well.
Until next time, take care.
*what happened to the Murder Hornets? Are they still around?
Happy 2019. Hope you’re recovered from the holidays and settled into the reins of a new year.
On the fiction front, Beneath the Broken Moon is currently under the editor’s knife at Shawn Coyne’s Story Grid. My previous experience with an Editorial Service was, to put it politely, disappointing. (I don’t appreciate being viewed as an ATM, strung along with vague promises of actual helpful suggestions for my MS if only I purchased the next tier of services… )
Now I don’t know a thing about Rachelle Stewart Ramirez , but Shawn Coyne’s, Story Grid is on my very shortlist of genuinely helpful books about writing, so he’s got street cred with me. That, and the fact he’s Steven Pressfield’s editor and business partner. If you’ve never read The War of Art or Gates of Fire, you need to remedy that. Right now.
According to the website, the manuscript evaluation includes:
The 6 Core Question Analysis. Your Story Grid Certified Editor will read your manuscript and apply the Story Grid 6 Core Question Analysis to your work. This is a deep dive into your manuscript, analyzing what works and what doesn’t work.
A One-Hour Phone Consultation. You will talk one-on-one with your editor, discussing your own questions and the editor’s analysis of your story. You’ll leave the call with a clearer global, big-picture view of your manuscript and its genre.
A Story Grid Spreadsheet of Your First Five Scenes. Your Story Grid Certified Editor will provide a full Story Grid work-up of the first five scenes of your manuscript. This will give you a black-and-white, close-up view of which scenes are working and which aren’t—and why.
Next Steps Recommendation Letter. Every writer is at a different place in his or her journey. Your Story Grid Certified Editor will provide suggested next steps you can take to level-up as a writer. This will include specific Story Grid homework to help improve your skills and your manuscript.
Masterworks of the Genre Recommendations and Additional Resources. Throughout the Story Grid Diagnostic process, your editor will help you identify and refine your genre choice. Once that’s done, your editor will provide a list of Masterworks to study along with the Story Grid Genre Cheat Sheet for your genre.
All delivered within 30 days.
Nothing so far. Then again, it’s only been two weeks and I remain cautiously optimistic. After all, I need a good editor. I want a good editor. Learning what works and what doesn’t is critical to learning how to write better. More on that as the story develops.
In other writing news, ZONA ALFA is complete. For those who aren’t familiar, I’m a long-time table top war gamer and ZA is a set of rules for miniature wargaming in a Russian-flavored post apocalyptic setting. (Think STALKER and METRO 2033)
Turns out the fine folks at Osprey Publishing in the UK had seen my painted toy soldiers and battle reports at my S7 blog, and were crazy enough to ask me to develop the rules for them. There’s still a lot of Polish and Tweak to do, but this has been a wargaming nerd’s dream come true. My heartfelt thanks to them for the opportunity.
In line with that, I’m currently hammering out another short Tale from the Exclusion Zonefeaturing veteran Zone Guide, Yuri Bonyev. (Vodka, AK74s and mutants… what can go wrong?)
And when that’s done, I’ll start in on the next installment of The Clar1ty Wars. Been a long time coming but I assure you the shadow war between the Orbital Corporations and the Planetary Government is about to spill into the streets. The current working title for book 3 is Gun Monkey Rumble. Autonomous drones, genetically engineered agents, cyber-enhanced soldiers, criminal gangs, religious terrorists… Our hero, black market pharma fence, Seeb Gilani, is going to have her hands full of flaming vials of nitro glycerin.
That’s all for now. My other job (stained glass work) calls. Have an excellent day. Live well. Art hard.
I’m told all the Cool Kids are into Audiobooks these days, so I’m taking my first steps in that direction. I’m happy to announce the short stories ‘Sozo’ and “A Prayer to Saint Strelok’ are now available at Amazon’s Audible and iTunes/Books.
The first is a straight-razor of a story about a combat vet returning to a broken, near-future America. Remarkably, it was included in The Crossover Alliance’s 2nd annual anthology in 2015. (I note that of the three TCA anthologies, that year is the only one without a single review. “Coincidence? I think NOT!”) Sorry guys.
OTOH, ‘Saint Strelok’ is a recent short piece inspired by the Ukrainian post-apocalyptic S.T.A.L.K.E.R. video game series. Set in and around the Chernobyl Exclusion Zone, those games rank in my top 10 all-time favorites. They’re dark, brooding, terrifying, and wonderful. “Call of Pripyat” is the one you want. It’s the most accessible to the first-time stalker.
Back to audiobooks though… I have to say auditioning narrators and hearing my own stories read back to me was immensely sobering. ( I gotta keep at this. God help me.) But on a happier note, I was reminded of how I used to read to my children – and now my grandchildren – and how there’s something truly wonderful about those hours that’s hard to express because the transaction of those moments goes beyond words.
Dr. Seuss to Tolkien, Kipling to Dahl, R.L. Stevenson, Lloyd Alexander, and a hundred more, reading out loud gets me thinking about the wonder of stories, the music of language, and what I think is a strange but essential osmosis of meaning.
Call me crazy, but I’ll go so far as to say that simple thing, more than any other everyday, ordinary practice in modern society, imparts not just parental/adult care and concern; it cultivates a sense of wonder and adventure. It feeds the imagination, exercises it. I think – depending on the stories- it’s how the core values of being a decent human being in the face of Life’s monsters and perilous journeys are transmitted to our kids.
Now some might label it frivolous but I say it’s a critical investment. Yes, STEM them chillun ’til they wins the Nobel Prize, but this is more than coding classes or the latest tablet/phone. This is heart, not mind, and I suspect this is probably one of the simplest but most profound investments a parent or guardian can make in a child. And all you need is a book. A library card. And an hour or two per week.
Now I’m not equating ‘St Strelok’ with Willy Wonka or Treasure Island. God no. I’m just letting folks know they can listen to two of my stories on their Kindle or phone or whatever device now. I think the narrators did an excellent job and I hope you will too. Please give them a listen or recommend them to a friend who likes my kind of stuff. Fire off a review if you can. It’s nice to get feedback.
‘Hard Kill‘ is next. My Celtic-flavored ghost story ‘The Barrow Lover’ should be available by September. I’ll let you know for sure when they’re ready.
Thanks for reading. Have a great day.
Note to self: find that hard cover copy of Grimm’s Fairy Tales illustrated by Arthur Rackham.
I’ve always understood ‘Beta Readers’ to be those long suffering friends and family of writers who are willing – after putting up with the author while they were writing the novel – to then read it, in its entirety, for internal consistency. They’re not copy editors or grammar nazis scrutinizing for typos and errant semicolons. No, they’re weighing the substance of the story. Plot flow, character motivations and story logic. They might trip over the occasional repeated phrase, but did it work? Allowing for conventions of genre and personal taste, is this a story worth reading?
To that end, I was trying to come up with a one-page hand out to Betas. I want an easy code for them to mark if/when/why the spell was broken. Jot a number or letter in the margin near the offending passages and move on. Here’s where I’m at so far:
So what? (or Do you care?) Are the characters engaging? Is the drama worthy of conflict? Did you stop caring?
Oh Yeah? (or Is this credible?) Is the tech/magic/psi power ‘logical’ in the story world? Are the characters actions and words believable?
Hunh? (or What the hell just happened?) I’m confused.. ‘Two pages ago we were traveling east and now the Sun is setting right in front of them.’ or ‘I thought she had a gun. Why isn’t she shooting at them?’ stuff like that.
Can we go now? (or I just read a bunch of words and nothing happened) Sure there’s ambiance and milieu, but I define ‘fiction traction’ as ‘plot over word count’. No Value Change, no forward motion, and the prose gets boggy.
Add in a big red “R” for REDUNDANCY – ( “*Sheesh* You said his name 37 times in two pages.”) and a big red “C” for CLICHE – (‘She was as dead as a door nail’ Really?)
One of Neil Gaiman’s Rules for Writing is that when a reader says something doesn’t work, they’re almost always right but when they tell you how to fix it, they’re almost always wrong. I think those 6 notations will let a writer – me, in this case – know where the story falters without putting too much of a burden on already gracious and patient people.